Dick Cheney spent a couple of hours in K Mart Friday afternoon. When I went down to pick my daughter up after school the bus stop was clogged by my least favorite minions. Rumor has it the Vice President was buying fire power, but I feel this rumor is based more on expectations than hard facts. The woman I heard spreading the gossip said, “Guns and ammo are the only products a real man has to pick out himself. He’d have sent an employee if he wanted Chap Stick.”
There may be truth in this. The Vice President of our country would not be in K Mart trying on clothes. If he was there for killing devices, someone should alert the area lawyers.
Here’s an actual story I found on Yahoo that is so bizarre, as a humor writer, I am humbled. Brittany Spears’ mother is writing a book on parenting. Imagine that. Nothing I can say could possibly make that sentence any funnier. There is a lesson to be learned here, by all you blog readers who are also novelists. Writing tip #1: Just because something is true does not make it believable. I could never get away with Britney Spears’ mother writing a book on parenting in fiction.
When my first editor said, “This is too far-fetched to put in a book. It’s not believable,” the one excuse she would not accept was, “But it’s true.” She didn’t even bother to say, “So what?
Non-fiction writers have a major advantage over fiction writers in this respect. They can get away with claiming true things are true, even though anyone who reads much nonfiction knows that’s bull. Take my personal favorite nonfiction works — Walden and Desert Solitaire. Both of those either leave out crucial data or make it up. Neither one is any closer to true than Have Spacesuit Will Travel.
Don’t get me started on the evils of nonfiction.
Many readers seem to have taken that last blog in a way I didn’t intend it to be taken. It wasn’t meant as a rant on the scumbags of Hollywood. Hollywood doesn’t contain a higher percentage of scumbags than, say, politics. Or drug dealing. I’d put it around forty percent. Nowhere near the ratio of bad to good you find at an insurance company.
I met some incredibly creative, cool people working in Hollywood. Some of my best friends, etc. The movie business works exactly like the Forest Service in that the lower to middle grade workers are high quality — professional and competent beyond normal belief — and they are convinced upper management is made up of fools and clowns. Maybe most industries are that way. I don’t know. I only know about Forest Service and movies.
I do know, in my personal history, the betrayal and heartbreak has been more extreme in publishing than movies.
My point, when I said everyone in L.A. lies, was that they speak in a code and until you learn that code, you’re a calf at the veal house. When a vice president of something or other (they’re all vice presidents of something or other. They pass out titles instead of raises) says he loves your work, and, after a couple of pertinent questions, you realize the guy hasn’t read your work — this doesn’t make him evil.
When you call an agent and her assistant says she’s stepped away from her desk and you can hear her in the background, the assistant isn’t lying, so much, as speaking in Hollywood babble. Your job is to learn Hollywood babble. If you can’t sail calmly, without crippling frustration, through a sea of duplicity, you’re in the wrong business.
All professions have a language of their own, and — Writer’s Lesson #2 — as a writer, if you can nail the language, you’ve nailed the profession. The readers will believe you and will go wherever you take them. It’s just that Hollywood babble isn’t so much technical terms — like in waitressing or hanging drywall — as it’s English words that don’t mean what the rest of us agree that they mean.
Bottom line in movies: The raw material every in the busines works with is the relationship. Your agent never says, “I know Joe Schmo at Universal.” She says, “I have a relationship with Joe Schmo at Universal.” Relationships are power and lifelines. If relationships are your career, there cannot, by definition, be an honest relationship.
I learned a lot of amazing skills in L.A., but here is the only one that I’ve been able to use east of San Bernadino. There’s deli in Beverly Hills called Nate ’N Al. The waitresses average sixty years old and are famous for treating both the high and low with equal disdain. I, personally, think it’s a bum rap. They treated me fine, but they treat stars the same as they treated me, which isn’t fine to the stars.
Anyway, if you take a baby or young toddler into Nate ’N Al as soon as you sit down they bring out a bagel cut in half diagonally and run a shoelace through the center hole and loop it around your kid’s highchair arm, so if the baby throws the bagel, it doesn’t get dirty. It hangs off the string a couple inches over the floor. Bagel on a rope.
After I left Hollywood, Leila and I started going to Pearl Street Bagels here in Jackson every morning, five days a week, so her mother could get some rest. And every day, I gave Leila her bagel on a rope to play with while I drank coffee and read the newspaper.
In seven years of working the movie business, bagel on a rope is the one thing that has proved relevant in real life.
P.S. There was a coyote in the K Mart parking lot this afternoon. That’s kind of odd, even for Wyoming. To my knowledge, there is no connection between the two K Mart anecdotes in this blog.